Showing posts with label Thee Silver Mt. Zion Memorial Orchestra. Show all posts
Showing posts with label Thee Silver Mt. Zion Memorial Orchestra. Show all posts

Tuesday, January 25, 2011

Megan's Top 70 of 2010: #63 - Thee Silver Mt. Zion Memorial Orchestra

Why I Decree it to Be So:

Who needs traditional song structure when there are epic, almost unfathomable fifteen-minute opuses to be created? Certainly not Thee Silver Mt. Zion Memorial Orchestra, that's for dang sure. Kollaps Tradixionales is a rich, complex, and demanding of your undivided, reverential attention. The payoff for your due diligence is immense, mind-bending sonic beauty and noisy confoundation that will quite possibly mess with your mind. Do Canadians do the whole experimental changeling sonic sprawl thing better than anyone? There are times, such as while listening to this record, that I'd be inclined to say yes.

mp3: I Built Myself a Metal Bird (Thee Silver Mt. Zion Memorial Orchestra from Kollaps Tradixionales)
(Thanks, Draw Us Lines! You're awesome)

Saturday, May 22, 2010

100 Shows of 2010 - #25: Thee Silver Mt. Zion Memorial Orchestra @ Black Cat, 5/19/10

‘Twas my second time seeing the Montreal-ians of Thee Silver Mt. Zion Memorial Orchestra live and in living color. At All Tomorrow’s Parties 2008, they were great, and made my tipsy little heart so very happy. At the Black Cat, they were just as great. And I made sure not to sneak in a flask of homemade happy juice, just to make damn sure.

MINI RECAP: Thee Silver Mt. Zion Memorial Orchestra = Hallelujah havoc! Overall score: B+.

They began with “I Built Myself a Metal Bird”, from that fantastic new record of theirs, Kollapz Tradixionales. Immediately nice and loud, the song full of tumbling textures and drowsy with drone. Things got a bit haunting, almost eerie towards the end of the song, the violins sending shivers down my spine. It was one of many glorious musical clusterfucks the band would spew out on this night. The combined “Metal Bird” with the song that follows it on the record, “I Fed My Bird The Wings Of Other Metal Birds”, which made for one heck of an epic soundscape.

Continuing to highlight new material, the band then launched into “There Is A Light”, the slow molasses of the intro seeming even more spiritual than on record. The fairly attentive crowd was huddled in attentive silence, reverently enraptured by the loveliness of the introduction. But of course, this is Thee Silver Mt. Zion Memorial Orchestra here, and so it doesn’t stay quiet for long. The song soon builds to a noisy wall of climaxing sound, violin managing to temper the storm of the explosive loudness somehow, some way. Soon, the harsh outburst is replaced with more relative quietude. And then, nearly twenty minutes later, it’s done and the crowd claps heartily.

Also included in the set was “God Bless Our Dead Marines”, the plucking of the upright bass somehow making me think of good old Macbeth, and those witchy sisters proclaiming, “Something wicked this way comes”. It felt almost raw, this song, unraveled even. I’d liken their affinity for such rambling songs to those people who run away on totally random tangents whilst telling a story about something totally different. And yet, unlike those distracted storytellers, the result with TSMZMO is incredibly awesome.

There was even an encore, “Microphones In The Trees”, jagged guitar battling the angelic violin. It was transfixing, not just this particular song but their whole set. Thee Silver Mt. Zion Memorial Orchestra make devilishly daring music, loud and twisted and deformed and alive. And to see them in the flesh is an experience not to be missed. The band might be of the opinion that “Canada does not rule”, but I would beg to differ. At least, as it applies to bands, that is.

mp3: There Is A Light (Thee Silver Mt. Zion Memorial Orchestra from Kollapz Tradixionales)

Tuesday, May 18, 2010

Album Review: Thee Silver Mt. Zion Memorial Orchestra – Kollapz Tradixionales

I first recall hearing of Thee Silver Mt. Zion Memorial Orchestra, purveyors of one of the finest and lengthiest band names around, a couple years back whilst in the mountains of New York State for All Tomorrow’s Parties. I was more than likely intoxicated, but I remember really getting into the band’s sound, a kind of epic, swirling, twisting mess of rambunctious yet lovely strings and sheer noise and slightly dissonant vocals. It appealed to me then, in that unique environment at that wacky little festival, and it still appeals to me now.

The short version, little darlings of mine, is that you should go out and buy Kollapz Tradixionales. It’s good. Very, very good. It’s an album that sprawls, seemingly, from here to eternity and then some. The Orchestra is very good at creating varying levels of sonic exploration, daring you to try to stick a genre on them (I myself am gonna steer clear of such an attempt). But if you’re down with Godspeed You Black Emperor, and love wacky bands from Montreal, well, you’ve possibly got a notion of what they’re all about.

Each song is its own animal, breathing and feeling something totally different than any other song on the record. The general mood is unsettling and slightly unstable…but in a wonderful way. The Orchestra keeps you on your toes, throwing everything but the kitchen sink at you. It’s a mad, mad, mad, mad album, a cracked fairyland where the unexpected is to be expected, and disparate elements create something bizarrely ethereal. It’s the kind of album that baffles the mind, confounds the senses, and can very likely cause headache, dizziness, and disorientation. Do not attempt to drive while listening to Kollapz Tradixionales, until you know how it will affect you. But by all means, listen to this album repeatedly, because it most certainly does a body good.

mp3: I Built Myself a Metal Bird (Thee Silver Mt. Zion Memorial Orchestra from Kollapz Tradixionales)