Showing posts with label Admiral Radley. Show all posts
Showing posts with label Admiral Radley. Show all posts

Tuesday, January 4, 2011

Terrible Chris' Fave Albums of 2010, Part the First

OK, now that the 2010 is behind us, and we have ALL the facts in front of us, here's my list of favorite CDs of the year past. As Megan will tell you, i'm not a huge fan of lists because, quite frankly, they're all just opinions. And as we all know, my opinion is superior to all others, so i just feel bad when i put out lists that so obviously trump all others. Oh well, it's my cross to bear.

And because i spent so damn long on this list, posting the links, etc., i'm breaking it up into a four parter. Be still your beating hearts, i know.
Now, part the first.

1. The Black Keys, Brothers--OK, i lied. This clearly was the best CD of 2010. Paraphrasing one of the better reviews i recall reading, the Keys didn't reinvent the wheel with this one, they just proved they could make it rounder, rubberier and added spokes.

2. Ethan Lipton and His Orchestra, Honker--Probably the best CD of the year by a guy of whom you've never heard. Hopefully, the future will change that, as he's quite possibly the wittiest lyricist out there today.


3. Reggie Watts, Why Shit So Crazy?--This is more of a comedy/performance piece, but Watts shows what a sense of humor, a loop machine and a strong sense of lyrics can do.


4. Project: Mooncircle Artists, The Moon Comes Closer--Yes, i'm a Project: Mooncircle junkie, and this probably was my favorite offering from them in '10. The fact that it contains a huge chunk of their roster certainly didn't hurt.


5. Admiral Radley, I Heart California--i can't believe this wasn't on more "Best Of" lists. Critics and bloggers who are not me can be such maroons.


Friday, October 1, 2010

Free Music Friday

To start, many happy returns of the day to The Missus. Doesn't have a damn thing to do with today's Free Music Friday, but, hey, it's half my blog, so i'm going write about what i'm going to write about. Plus, you dig the Missus, too, so you should wish her one, too.

Anyway, we received some nice tunes the past couple of weeks while i've been traveling all over the place, so you get to enjoy the fruits of those looms, as it were.


Surprising no one, Stones Throw continues to give out more freebies than whore with poor pimp management. i don't know about you, but i've always been a huge fan of voice boxes. Fuck that auto-tune shit, i'm talking about the original real deal. Whereas Roger Troutman popularized the sound (using his own variation on the instrument), the ST crate diggers have uncovered a treasure trove from Bruce Haack, the inventor of “Farad," one of the first truly musical vocoders, and first to be used on a pop album. Also from the gang, Aloe Blacc's Good Things finally hit the stands, and to celebrate, they dropped this ultra-groovy, soulful number to get your juices fellow in a most mellow manner.



Daytrotter did a session with the folks in Admiral Radley, and it's a good one. Go check it out. We keep telling you how good Jason and his crew are, so maybe this will make true believers out of you.


Sadly, i've been a little less impressed with each new Thermals offering, but i am kind of digging the new single from Personal Life. Call me crazy, but the lo-fi noise of their self-titled EP remains their high water mark for my money. Sure, they've grown musically and lyrically, no doubt, but where's the fun in that? i first saw the band open for Sleater-Kinney years ago, fell in love with Kathy Foster while she was bouncing around on stage tearing up the bass, and have been hooked on and off ever since. This one goes a decent ways towards making me need to call my sponsor again.


i know what you're thinking, a live DOOM album? There's been a lot of talk about if this is even a real live set, how old it actually is, blah, blah, blah. All you need to worry about is the fact that DOOM spits fire, this is loads better than Live From Planet X, and the first track is free. The Villain is back, y'all, so don't sleep on this one.


Another new Alex B track just hit the interwebs, so you know i'm going to post it here. It's about smoking weed and it's more bottom heavy than your fat-assed prom date, so you know it's worth listening to.


And to close things out, the latest from 0OoOO's eponymous EP. Personally, i dig the track, but i'm not sure about this "witch core" nomenclature. Really? Sure, it's spooky and has ethereal, seemingly disembodied female vocals, but is that honestly the new sub-genre name we want? Eh, fuck it, it's glitch, and it's good, and that's enough.

Saturday, August 28, 2010

100 Shows of 2010 - #54: Admiral Radley/Hooray For Earth @ DC9, 8/21/10

It’s a blue moon rare kinda thing when you get both of us Terribles in one room at one time, my little darlings. Given our mad crazy constantly conflicting schedules it had been many a month since we got together, and as you probably already noticed, Chris and I joined forces for what I’d call easily one of the best shows of the year. Put together an emerging band from the Big Apple and a supergroup of sorts and you’ve got a recipe for one heck of a night. And that’s exactly what it was.

MINI RECAP: Admiral Radley = California Love! Hooray For Earth = NYC Love! Overall score: A.

Hooray For Earth was up first. I was so very happy to see them, because I had managed to miss the vast majority of their set a couple months back. They sounded totally different than what I remembered, and I could have sworn they lost a few band members in the interlude between the last show and this one. And if that’s the case, it was a change for the better. Or it could just be my horrible memory. Either way, I was totally impressed with HFE, their live set more torn and frayed than they are on record, a little bit Pavement and a little bit shoegaze and a little bit dreampop (or, as I wrote in my notes, think of it like that kinda spacey vibe of Steve Miller meets synth meets the Jesus & Mary Chain). Their songs proved rather punchy and rather enjoyable, and I just can’t resist a band that successfully juxtaposes totally chaotic guitar distortion and bouncy, bubbly basslines. Apart from the vocals being a little muddy, their set was totally great. And I can’t not give a shoutout to the drummer for drumming with one hand and banging the tambourine with the other. Now that, friends, is skill. Definitely watch this space, because I really dig me some Hooray For Earth.

Up next was the awesome of Admiral Radley. And let me just go ahead and get my bad pun out of the way, but you really can’t spell Radley without rad. Think of it, won’t you? You take two members of the fantastic Earlimart and fuse them to two members of the equally fantastic Grandaddy. It’s a surefire formula for success if ever there was one. I loved them immediately, their sound pulling from both bands but not as such that it seemed like a crutch. The guitar play reminded me of the Grandaddy record The Sophtware Slump a whole lot, and the sound was very bouncy and atmospheric. The projections flanking the band on either side of natural and cosmic elements totally fit their overall vibe. “How come you’re so far away back there and I’m up here like Bono,” a cheeky Aaron Espinoza asked Jason Lyttle, causing ripples of giggles throughout the crowd. Their banter was even great. At one point Espinoza adapted the lyrics to fit his frame of mind, singing, “I forgot the words/but it doesn’t matter now/cuz I’m all fucked up on beer/I’m fucked up on beer”. It was, hands down, the best drunk lyric forgettal recovery ever. They might heart California, but I heart me some Admiral Radley.

And that was all she wrote. It was a doozy of a dandy show, and not even the late start or late finish could put a damper on the displays of musical prowess. If you’re not already smitten with both of these bands, I suggest you give it some serious consideration.

mp3: Surrounded By Your Friends (Hooray For Earth from Momo)

Monday, August 23, 2010

Live Review: Admiral Radley and Horray for Earth, DC9, 8-21-10

The uncommon happened this past Saturday night, and Ms. Meg and i actually got together in person to partake of the wonders offered by Admiral Radley and opener Hooray for Earth at DC9. It's OK, though, the Missus knew ahead of time. Expect her (Meg's, not the Missus') take on things in the next day or so. In the meantime, here's how things went down from my perspective.

i knew nothing about the openers, Hooray for Earth, ahead of time, but i can say they put on an enjoyable, though brief, slot to get things started. The acoustics at DC9 leave a little something to be desired, so i honestly couldn't make out a word the lead singer said, but i can say the boys are talented enough to keep the crowd humming for at least half an hour. Two things stuck out to me that had little to do with anything--the lead singer looked freakishly like Dent May, and i'm not sure if i've ever seen a more exuberant drummer; the guy literally looked like he might bounce off of his stool at any given moment, so into the beat was he. All in all, not a bad way to start the show, even if they did start nearly half an hour later than they were supposed to.

Sadly for the rest of you, by the time Admiral Radley took the stage at about 11:15, there still were only maybe 50 of us there to enjoy things. The show played almost like a backyard BBQ, with an easy camaraderie onstage and a lot of cheap beer flowing amongst performers and audience alike. Starting almost immediately after stepping on the riser that served as a stage, co-leads Jason Lytle and Aaron Espinoza were gabbing back and forth like a couple of high school buddies from back in the day. And let's be honest, Admiral Radley is a continuation of the Grandaddy and Earlimart sounds, essentially lazy stoner skateboarder tunes. You might worry that as nobody in the band is a teenager anymore, perhaps the band has overstayed its welcome in the genre. Instead, their additional years seem to add a bit of wit and wisdom to the lyrics that almost transcend the material. Don't get me wrong, "Sunburn Kids" and "Drunk on Beer" are two of my favorites on I Heart California, but even Lytle admitted the former was "silly." Of course, one of the highlights of the evening came when Espinoza, possibly somewhat besotted himself, started muffing the lyrics to "Drunk on Beer," claiming, however, that it was no problem, as he was, in fact, drunk on beer himself. Another high point clearly was Ariana Murray's solo, "The Thread." Any earlier complaints of bad mic-ing were gone for this song. Having a crowd quiet down, even partially, for the slow songs always is a Herculean task, but Ms. Murray kept the crowd enraptured with her straightforward performance. Of final note for me, Espinoza informed the crowd that for the encore, they'd be doing "kind of a cover" before launching into "Every Time I'm With You," one of Lytle's contributions to Dark Night of the Soul, and personally one of my two favorite tracks from that CD (the other being his second submission, "Jaykub").

Overall, Admiral Radley benefits greatly from the vocals of both Lytle and Espinoza, each sounding pretty damn close to the consistency of slightly heated honey burbling out of the plastic bear and into your teacup. The fact that Lytle still projects old home movie footage, though on a far smaller screen than the last time he played the 9:30 Club with Grandaddy, adds a layer of depth and shading you wouldn't expect at such a small location as DC9, which is nice. It would have been nice to hear more from Murray and perhaps at least an acknowledgement that Aaron Burtch was even on stage, steady on the skins all night, but they all seemed to be enjoying the hell out of the experience, so who am i to talk?

I'd like to note that for a band that's apparently only been together a handful of months, they sounded like they'd been playing together for years and years. As concerts for "new" bands are supposed to accomplish, i've been listening to their debut album pretty much non-stop since Saturday night, a true testament to the talent on-stage that night. i think it's pretty fair to say i heart Admiral Radley.


mp3: intro/jeez louise (Jack from Just Like The Fambly Cassette) (i.e., Jason Lytle's Just Like the Fambly Cat demos)

Saturday, June 26, 2010

FunJunkie's Summer Burn 2010, Part the Second

The Missus was more than kind enough to help me put together the covers for these mixtape masterpieces last night, so they're en route to recipients in far off lands even now. Part of the experience of FunJunkie's annual Summer Burn, you see, is the case itself.

Last year, i went shitty and just used iTunes auto-jewel-case-cover-program, which is pretty plebeian on its own. Of course, that was the year i exchanged with some graphic designer who sent me this lush, handmade piece with silk screening and the whole nine yards. So this year, i returned to my fourth grade collaging skills for the cover (pictured here) and even bought some nifty program at Best Buy that was supposed to be the shit's tits, but the paper fucked up my printer. Long story short if it's not too late already, The Missus came through like a champ, so they actually looked like they were made by more than a drunken goat herder.

If you enjoyed yesterday's foray into the mind of Uncle Terrible's summer mix mentality, here's some more of the same. Only infinitely different.





mp3: Exile (Enya from Watermark)





Friday, June 11, 2010

Free Music Friday: The Modelling, Californian, Fishy, Pornographic, Blunt, Minimal, Snogging, Stringy, Hot, Bomby Edition

OK, i've got a HUGE backlog of stuff, so guess who wins? Anyone checking out Free Music Friday, natch.

First up, we've got Cilla K. , an up and comer born in the French West Indies who currently resides in NYC. When not bringing her stamp to the neo-R&B sound, she models, meaning the woman clearly has a rough life. Chanteuse AND model? How does one find the time? Fortunately, her debut, Fine Line, is a fine piece of soul/jazz/funk, so that's all we'll focus on for now.

mp3: Demain (Cilla K. from Fine Line)

LET fave Jason Lytle finally has dropped the first official track from his Admiral Radley project, I Heart California, from the debut album of the same name. While it's impossible not to hear traces of Grandaddy in the mix, the new band (which also includes members of both Grandaddy and Earlimart), this one has a looser, more "fun" vibe at play, at least in this first single. As is the growingly common move, the debut CD is being offered in an extra special format on July 1 for $100. Now i have to decide whether or not i need another "exclusive" tee shirt and accompanying pictures.

mp3: I Heart California (Admiral Radley from I Heart California)

For today's male/female drums/guitar duo, i submit Little Fish out of the U.K. (we get submissions from the world over, but i won't consider us a true success until we get something from Estonia; i'm just saying). Fortunately, this is not a simple White Stripes rip-off (thank Black Dynamite). If anything, i catch shades of the Pack A.D. Regardless, they put on a blistering performance on their new single, Darling Dear. If you like your rock with an ample side of piss and vinegar, Little Fish might well be just the band for you.

mp3: Darling Dear (Little Fish from Baffled and Beat)

Sure, when you think of that chick from the New Pornographers, you probably automatically go to Neko Case. And while that's a fine place for your mind to go, Kathryn Calder would like to remind you that she's in the band, too. Not only that, but now she's making music of her own. Scheduled to hit shelves August 10, keep an eye and an ear out for Are You My Mother? First single "Slip Away" is a fine bit of songcrafting with plenty of "oh oh oh ohs" that ambles along like a butterfly on a breezy afternoon. Watch out for this one.

mp3: Slip Away (Kathryn Calder from Are You My Mother?)

Sometimes, it's the no bullshit approach that works best. Dalton M recently dropped me a line saying, "I am trying to get heard/mentioned in a blog or two, and wondered if you could help?" Since his brand of dreamy, synth soaked pop works fine by me, yes, Dalton M, i can help.

mp3: A Live Instrument (Dalton M from Flashlights)

Kyle Bobby Dunn makes expansive, minimalist instrumental pieces. His latest, A Young Person's Guide to Kyle Bobby Dunn, paints broad soundscapes using the slightest of palettes. Think good soundtrack music for something involving a bleak, winterland murder mystery. At least, i did, but i also take a lot of drugs.


Sweden's Pallers have a new blisswave track, The Kiss. An ever building affair that starts with simple percussion before growing to include sweeping strings and airy vocals, consider this today's GvB track. And it's a good one.

mp3: The Kiss (Pallers from The Kiss Single)

Matt Stevens plays instrumental acoustic guitar. And he plays it well. Similar to Kyle Bobby Dunn insomuch as this one sounds like it would make for great soundtrack music, too. Instead of the starkness presented by KBD, however, Stevens has a much more upbeat, at times almost rollicking, sound (though he does a good job of covering the full emotional spectrum here).

mp3: Big Sky (Matt Stevens from Ghost)

Coming off of a seven year hiatus, Sheila Nicholls is back with Songs from the Bardo, a singer/songerwriter work. During her self-imposed time off, she built a studio, taught herself ProTools, and started her own label. The results speak for themselves.

mp3: Bardo (Sheila Nicholls from Songs from the Bardo)

And to close things out, sloppy noise rockers Night Beats are here to offer H-Bomb. Think a grungier, more rock/less artsy version of the Yeah Yeah Yeahs, and you won't be too far off.

mp3: H-Bomb (Night Beats from H-Bomb EP)

And on that note, my office is closed for summer hours, bitches, so i am out of here.