We all know her voice, that slow burning, naughty but nice smoky sound (perhaps the perfect example of this being the classic “Son Of a Preacher Man”). Dusty Springfield was, in my mind, one of the most gifted vocalists of the 20th century. Listen to Dusty In Memphis and just try to disagree with me. Few people can match her voice, which echoed with not just the sentiment of the song she might have been singing, but with a deeper, constant touch of sorrow. Frequently, in song as well as life, she seemed to be the woman done wrong. And nearly always, she reached the realms of the magnificent with that voice of hers.
In a time when a whole bunch of people didn’t even think about singing songs they had written, Dusty made every song that came her way sound like it was hers and hers alone. With that kinda voice, it was easy to stake claim on just about anything. And so, please take a moment to remember that heavenly, heartbreaking voice, and the woman behind it.
Les Enfants Terribles is a Washington, DC music blog. It's run by a music-loving lady who answers to Megan Terrible.
Please note, if you're looking for Terrible Chris, try his new joint.
Le Obligatory Disclaimer
Hear ye, hear ye.MP3s posted here are done so with permission wherever possible. If you like the bands you hear on this site, you should without question support them. Buy their music, go see them on tour, and/or buy their merch.
PLEASE NOTE: If you're a band and no longer want your music posted on this site, or a label that does not want a band's music posted herein, please write meganterrible@gmail.com, and the ship will be righted immediately, if not sooner.
Also note, LET is all about the musical lovin. Which means, only music I love will appear here. You've been warned.
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