Sorry, kids, but ye olde inbox did not get too full too quickly this week. Most of my normal traps turned up crap, quite frankly, and a lot of other stuff came just over the last day or so. Most be a tantric issue. For those of you who happen to submit to LET, get your stuff in early, folks, so we can give the people what they want when they want so they won't sit all the time. It's only fair, jah?Friday, July 30, 2010
The Half Assed Weekend Mix
Sorry, kids, but ye olde inbox did not get too full too quickly this week. Most of my normal traps turned up crap, quite frankly, and a lot of other stuff came just over the last day or so. Most be a tantric issue. For those of you who happen to submit to LET, get your stuff in early, folks, so we can give the people what they want when they want so they won't sit all the time. It's only fair, jah?100 Shows of 2010 - #45: Bryan Elijah Smith & The Wild Hearts @ Fireflies, 7/24/10
I’ve got some pretty talented friends, it must be said. I don’t often cover them, for fear of my natural predisposition to automatically love what they’re doing slanting my writing. But every now and again I feel the need to make an exception, like when my friend Jeff told me he would be playing up here in my neck of the woods. So to Alexandria went I, and I tell you what, dearlings. Friends or no, Bryan Elijah Smith & The Wild Hearts (i.e. the aforementioned Jeff Miller slaying the banjo and also including the unfortunately absent fiddle prowess of Jay Austin) pretty much made my weekend.MINI RECAP: Bryan Elijah Smith & The Wild Hearts = Better Then The Average Bear! Overall score: A.
Bryan and Jeff sat themselves on the stage and proceeded to play over two hours’ worth of a mix of wonderful original material and wonderful cover songs. Let’s face it, any song that starts off with a cover of “Folsom Prison Blues” is gonna be a good one. The two of them made one heck of a pair; Bryan with his acoustic guitar and harmonica, and Jeff with his banjo. It was a simple, classic sound they made, stripped down and pure. And Bryan’s voice, well, that’s something else altogether. You know me, I’m sometimes easily impressed, but this boy has one hell of a voice on him. It’s breathy and rich, a little reminiscent of Ryan Adams and those sensational Love Is Hell EPs, along with shades of the great Joseph Arthur, but with the honesty and purity of the mountains coursing through it. Very salt of the earth, you might say. The timbre of his voice backed by the genuine simplicity of the acoustic and Jeff’s banjo was nothing short of beautiful.
Among the set were excellent covers of Creedence’s “Fortunate Son”, more Cash (“Ring of Fire”), a jaw-dropping rendition of “Wonderwall” that rivaled the Oasis original, and “Blowin’ In the Wind”, to name but a few. And I’ll just go ahead and blaspheme, but this version of “Wonderwall” eclipsed the Ryan Adams cover, in my humble opinion. Each song, cover or no, was given special care, and was played with attention to detail. Towards the end of their set, the boys took requests from the persons in attendance, and my request for the Rolling Stones was kindly granted by covers of “Wild Horses” (gorgeous) and “Dead Flowers”, which sounded a wee bit like that amazing Townes Van Zandt cover.
When it was all over, and Bryan and Jeff packed up and headed off into the night, I was left feeling totally impressed, and rather proud. Hearing a voice like Bryan’s is rare indeed, and I can’t encourage you enough to go see the guys if you happen to get the chance. Fellow Virginians, the trio has dates all over scheduled for this summer, so make sure you don’t miss ‘em.
mp3: Other Side Of Town (Bryan Elijah Smith from Forever On My Mind)
Thursday, July 29, 2010
Predominately Blunted Beats
Today, we're focusing on a bunch of beat music that's found it's way into my grimy little hands of late. It's no secret i love this stuff. i only wish DC had its own Low End Theory (sorry, 18th Street Lounge, but you ain't it) or similar beat scene. Oh well, at least we have the Interwebs giving us sorts of goodness from around the globe.Wednesday, July 28, 2010
Blog-On-Blog Love: For Your Poolside, Occasionally Booty Thumpin' Good Times
As is the case with most folks these days, i imagine, i tend to find myself more interested in individual tracks these days than full albums or even EPs. Well, some of my fave writers from around the blogosphere have unearthed some pretty damn good full affairs lately, for FREE, no less. Far be it from me not to spread the love like peanut butter syrup over banana pancakes to you fine dead beats.Tuesday, July 27, 2010
Live Review: The Black Keys at DAR Constitution, 7-26-10
i'm beginning to think the Black Keys are incapable of putting on a bad show. i've seen Dan Auerbach tear it up solo apparently while suffering from the flu, and while last night may not have been my favorite time seeing them, to claim the boys were in less than their usual rarefied air would simply be untrue.100 Shows of 2010 - #44: Wye Oak @ Rock’n’Roll Hotel, 7/22/10
This show was, in a cruel, cruel way, a wee bit ironic. I can’t remember the last time a show at the Hotel started at a time even close to the scheduled start time. But of course, on a night when it takes me nearly half an hour to park the car, the show naturally starts on the dot. The end result of that unfortunate promptness was that I missed the daggum amazing Gamble House, but it wasn’t all gloom and doom. I did witness a pretty darned triumphant set by Baltimore’s own Wye Oak, and that turned my little frown right upsidedown. Hot diggity dog, indeed.MINI RECAP: Wye Oak = Shiver Me Timbers! Overall score: A.
There I was, sulking away in the corner as Wye Oak set up. And then they started to play, and my little black cloud of a mood was instantly mollified. They totally caught me off guard with the sheer awesome of their live sound. Starting off with a big, beefy swell of noise, they kept things turned to 11 for the vast majority of their set. Jenn Wasner’s voice absolutely blew me away, steamy and smoky and alternately sultry and slightly snarling. The driving beat of the drum and that voice together made for quite a pairing, this is a band with big time bite. At times the band veered wildly between ethereal beauty and threatening darkness, and lord knows I love a little dark/light juxtaposition. The noise was extreme, and I loved just about everything about it. Wye Oak, on this night, was a lot more raw than the recorded material I’ve heard of theirs, and the ferocity of the set sounded some kinda wonderful to me.
I must confess, as bummed as I initially was, if I had to miss Gamble House, Wye Oak was certainly more than ample as a runner-up prize. I’d never been much of a fan, but after seeing this set, I might be more inclined to pay due diligence to Wye Oak from now on. You might should do the same.
mp3: My Neighbor (Wye Oak from My Neighbor/My Creator)
Album Review: She & Him – Volume Two
I tell you what, y’all. The wait for this one sure felt like a deep, dark, black hole of oblivion. But the end result, Volume Two certainly proves that old adage that very, very good things come to those who wait. Well, in this instance anyway. She & Him's adorable Zooey and dreamy M. put their heads together once more and came up with another batch of beautiful songs, heavy with the ghosts of country and girl group greats. These two together are utterly irresistible, between Zooey’s voice and M.’s guitar play.They really hit the ground running straight away this time. Volume Two seems more polished than the volume that preceded it. It’s shinier, newer, and even sleeker. “In The Sun” shimmies along with that big symphonic sweep of the golden olden days, full of Zooey’s inherent quirkiness and undeniable catchiness. “Don’t Look Back” calls to mind both early Beach Boys and classic Motown, with “doo doo doos” aplenty and a ravishing retro wash to the song’s production. “Ridin’ In My Car” is impeccable in its throwback sound, with Zooey and M. showing off fantastic boy-girl vocals and the whole shebang sounding like a soda fountain classic.
I love the mix of British Invasion sounds and that twangin’ guitar of M.’s on “Gonna Get Along Without You Now”, which also lets Zooey unleash some of that Baby Patsy Cline she’s got in that voice of her. “Gonna find somebody that’s twice as cute/cuz I didn’t like you anyhow,” she prettily pouts, as M. strums along. The acoustic guitar intro to “Sing” is pretty special, and the song itself is just another gem. “Over It Over Again” is one of my favorites, a classic She & Him song with girl group sashaying alongside country and pop to dazzling effect. O, how I love it.
Now friends, with an album of this length, you might expect some throwaway songs. Well, there aren’t any. Each and every song is as good as the one before and after it. I wasn’t sure if lightning could strike twice for this unlikely dynamic duo, but strike it did. I might still be slightly partial to Volume One, but with enough listens to Volume Two I very likely could soon be singing another tune. Hot damn, these two have found musical soulmates in each other, and I’d say we’re all pretty lucky these kids got together to make music. Now, the big question is, are we gonna have to wait this long for Volume Three?
mp3: In The Sun (She & Him from Volume Two)
Monday, July 26, 2010
The Scott Pilgrim Soundtrack
No, we don't have an early leak of what sure's to be this year's most kick ass soundtrack. i'm actually referring to the series of graphic novels here. While i have high hopes for the flick, i've been a fan of Bryan Lee O'Malley's comic book masterpiece for a few years now. He just released Book Six last week, which i finished last night. Not quite as fun and upbeat as Books Four (Scott Pilgrim Gets It Together) and Five (Scott Pilgrim vs. the Universe) (my two favorite of the series), but a pretty decent ending nonetheless.Album Review: These United States – What Lasts
Turning another page in the goodness gracious great story that is the tall, tall These United States tale, Jesse Elliott and the fantastic four (aka Robby, Justin, Colin, and Tom) that have become permanent fellows of TUS exhibit nothing short of master class on What Lasts. The record itself feels more intimate, more personal than has any TUS record before it. At times it’s even rather stone cold sobering, the more winsome musical follies of, say, Crimes, a distant memory down a dusty road in the rearview mirror. What lies ahead is the wide open, big sky country sound of maturation, the sound of melancholy, and the sound of serious contemplative introspection.
But lest you think These United States has left the good jangle behind them, fret not. Songs like the splendid “The Great River” and “Water & Wheat” proudly fly that old faithful TUS jingle pop folk banner. It must be said that the bulk of What Lasts is indeed on the more serious side of the coin, though, which while initially disquieting becomes more and more appealing as the record goes on. “Life&Death She&I” is cause for both sadness and joy, regarding the subject matter and 70s-esque feel to the beat with that foxy steel, respectively. Title track “What Lasts” is music to mope to, with the haunting, shimmery steel and Elliott’s voice taking on particularly plaintive emotional tones. They often seem to tread water that greats like The Band might approve of, and that I most certainly do.
Sure, it’s the most serious These United States record to date. It made me furrow my brow just a touch. But What Lasts is a tremendously fantastic record. And hell, I’m still waiting for Jesse to put a foot wrong when it comes to his lyrics. He once more shows the kids how to write a record full of amazing songs. They’ve come such a very long way from the gate to the garden of Eden. And yet, perhaps they’ve just come full circle. When it comes to These United States, only the old devil moon really knows. And that’s the way it ought to be.
mp3: The Great River (These United States from What Lasts)
Happy Birthday, Mick
Y’all know this already, but perhaps it bears repeating that I love The Rolling Stones. Love above just about all else. To me, it doesn’t get much better than Mick & Keith, and that blanket statement applies to many things (voracious appetites for the rock lifestyle, affinity for skinny pants, unbeatable songcraft, etc.). And as such, I certainly couldn’t let the birthday of the leader of my beloved band of legends pass by unheralded.Yes, little lads and ladettes, today is the birthday of Mister Mick Jagger, otherwise known as The Voice (or The Lips). When it comes to frontmen, there is none better than this man. Nor, possibly, will there be better. Those pouty lips, those undulating hips…his primal persona behind the mic (and probably behind closed doors, too) means that the man is and forever shall be walking sex. And let’s face it. In the realms of rock, that’s exactly how it should be.
A very hearty, lusty, and enthusiastic birthday to Mick.
mp3: Dead Flowers (Townes Van Zandt from the Big Lebowski Soundtrack)
mp3: I'm A King Bee (The Rolling Stones from England's Newest Hitmakers)
Saturday, July 24, 2010
Crossing The Pond #1: dante
Yes, my little sweeties, yours truly has been known to be quite an Anglophile. And seeing as I’ve been feeling a wee bit nostalgic regarding my many wonderful months spent in bonnie Scotland, I figured now was the perfect time to launch a feature focusing on, you guessed it, bands from the United Kingdom (and Ireland).I couldn’t ask for a better band to start things off with, given my love of those bands from north of the Borders. Dante is a band of “Edinburghers and Shetlanders who make alt folk music,” but that’s just the very vaguest of overviews of what this band does. Yes, there is indeed folk in mass quantities in their music, no doubt about it. But these wonderful souls also incorporate hearty doses of traditional Scottish music into their fine, fine songs, mostly exhibited with that fantastic fiddle. It’s a delicate balance of old and new, and it works together seamlessly, beautifully. At times you might hear shades of my beloved Idlewild, be it in the dark contemplation of the lyrics to the building walls of instrumentation present in dante’s songs. And on certain occasions, you might just think you were dancing at a traditional ceilidh somewhere in the countryside as the fiddle does cartwheels all around.
Dante is a band not to be missed, ye lords and ladies. Whet your appetite with the pair of songs below, and prepare to fall in love.
mp3: Monochrome (dante from the Monochrome EP)
mp3: This Island (dante from the Monochrome EP)
Album Review: Washed Out – Life Of Leisure EP
I’m deathly afraid of sharks (mamas, don’t let your kiddies alone with Jaws when they’re young and impressionable), which means of course that I don’t venture out into the surf much if I can help it. However, the weather here in the greater DC metro area has been so disgustingly, abysmally, horrifyingly hot and humid lately that the cover of Ernest Greene's, better known as Washed Out’s Life Of Leisure EP makes me want to be that girl, floating along in a glassy sunset sea, preferably while the sharks are otherwise engaged and Washed Out is playing somewhere on a stereo nearby. This EP is a damn fine way to take the edge off the summertime, my sweets, from the very first breath to the last. It takes those hazy crazy days of summer and mixes and undulates and sleeks them into something effortlessly, breathtakingly beautiful.“Get Up” is a slow, dreamsicle of a song, hithering and thithering along on a placid rhythm, as cool as the other side of the pillow. If possible, “New Theory” is even cooler, icy beats and presenting itself as a perfect party-by-the-beach-fire song. Or the perfect lounge-by-the-pool-while-double-fisting-frozen-drinks kinda song. You get the idea. It’s all things lovely and summerproof. Things keep drifting along gloriously with “Hold Out”, which at three and a half minutes clocks in as the EP’s longest song. “Feel It All Around” has an air of back in the day to it, a song that certainly lives quite a life of leisure. Yet again, the downtempo meander hits the spot. “Lately”, well, that’s another hotdiggitydog song. And “You’ll See It”, friends, if you haven’t already heard it, is nothing short of hypnotic. The liveliest of the songs, it is just about perfect in every way. It’s so good you just might end up listening to it for hours, over and over and over and over. And yes, I am speaking from personal experience.
Sweltering temps regardless, Washed Out has hereby produced one of the finest damn EPs of recent memory. It’s new and old and fresh and clean and hot to trot and ice cold. I suspect I’ll adore this collection of songs just as much in the dead of winter as I do today, in the midst of the sizzle of late July. I love it so, and you might just love it too.
mp3: New Theory (Washed Out from Life Of Leisure) (song removed by request, sorry kiddos. Don't blame us.)
The Most Inappropriate Wedding Mix You Ever Will Hear
In a few hours (why the hell am i awake this early on a Saturday?), The Missus and i are off to partake in the nuptials of a couple of her friends whom i have not yet met. With my wonky back, i am afraid i shall not be able to pull off the appropriate breakdancing moves at the reception, but with enough free booze in one's system, who knows what's possible? If you don't hear from me by Monday afternoon, it's probably safe to assume that the six-step into a helicopter into a windmill combo i attempted to pull off did not go well.Friday, July 23, 2010
Free Music Friday: The Fat Assed, Not Hard, Pot Surviving, Explosive, Prestidigitatious, Hearing Impaired Version
Seriously, you unwashed masses better appreciate the fact that this is the umpteenth Friday in a row i've opted to stay indoors at HQ to bring you a bunch of new music freebies as opposed to hanging out at the comic book store or other nerdly pursuits. i really an a hell of a guy. You'd try to marry me if you could. You ain't gots to lie, Craig.Thursday, July 22, 2010
It's Covered: Summertime Blues
Mother Terrible recently mentioned that summer is about over, and that school is just around the corner. While her exaggeration is obvious, it got me to thinking that if i'm going to do an "It's Covered" on the classic "Summertime Blues," i better get off my duff and into action.100 Shows of 2010 - #43: The Capstan Shafts/Twins Of A Gazelle @ Black Cat, 7/15/10
To put it mildly, the evening of The Capstan Shafts and Twins Of A Gazelle show was yet another in a seemingly endless stretch of horrid, humid, stolidly stultifying days. My general crankitude was off the charts, but thankfully, as so often seems to be the case, music soothed the savage beast that my temperament had become. I felt like I was alternately seeing the Arcade Fire and reliving the glorious early 90s. And that, friends, was an interesting and fairly pleasing place to be.MINI RECAP: The Capstan Shafts = Fuzzily Fab! Twins Of A Gazelle = Not-So-Secretly Canadian! Overall score: B.
Twins Of A Gazelle got going just a few minutes after I arrived at the Black Cat. I’m fairly certain I’ve never seen so many people crammed onto that stage before, and somehow, the masses of musicians made it work. Right off the bat, something inside me said, ”I’ve heard this one before.” The brain was racked, and landed upon those cheerfully dour Canadians of the beloved Arcade Fire. Something about the vocals and the lush landscapery of all those instruments together was very much in the vein of the AF. It must be noted that violins seem to be the new black, and quite a few bands I’ve seen lately have been utilizing them to great success. While certainly less gloomy than our Northerly neighbors, locals Twins Of A Gazelle didn’t veer all that much from their sound. “We sound a little bit like this band,” they said, as a cover of “Wake Up” was thrown into the set. Truth be told, I’m not sure how I feel about a cover that sounds kinda sorta like the original version. I really dug their new single, “Constellations,” which sounded the least like the Arcade Fire of any song in their set. It was jaunty and poppy and exuberant, and hopefully that’s the direction in which the bountiful band will move.
And then, it was time for something completely different. Dean Wells, otherwise known as The Capstan Shafts, creates pretty neato lo-fi nuggets that suggest those denizens of fuzz Guided By Voices, among others. Wells, adorable as he is, showed himself to be a true frontman, eschewing instruments to direct all his energy to the task of vocalizing his lyrics. Backed by his interesting assortment of friends, Wells and his voice endeared himself to me at once. Taking his songs out of the bedroom, Wells was charmingly affable and guardedly self-deprecating, saying “We’re open to criticism. Not terribly open to criticism, but open…” The songs benefited from the expanded instrumentation, particularly that drummer, who won serious points for his take-no-prisoners approach to hitting the skins on quite a few songs. Mixing it up sonically, at times the band shredded with rock and fury, while other times the songs took a gentler, quieter tone. The lo-fi approach wasn’t the vibe of the night, for sure. There was a slight air of discomfort onstage, which kept things feeling slightly off-kilter to me during the set. Whether or not Wells would rather be back in the bedroom studio he didn’t say, but somehow the awkwardness worked, for the most part. I was rather happy to have been around for the band’s “first second show somewhere.”
It was an unusual pairing, I think, but I was still rather entertained by the musical endeavors of the two. I’d reckon both bands would be worth seeing again, and you might just want to check ‘em out, dearies.
mp3: Middles Of June (The Capstan Shafts from Fixation Protocols)
Wednesday, July 21, 2010
More Mixtape Madness
Obviously, the greatest mixtapes you're ever going to hear are put together here at LET, but it would be unfair of us not to give credit where credit is due when we come across winners from others (second place is respectable, too, folks, so good on ya', mate!). While we've posted tracks sponsored by Red Bull before, clearly i was uninformed on just how into the music scene your favorite vodka mixer actually is. Seems that since 1998, they've been sponsoring a traveling music academy. Essentially, they set up an HQ for two fortnight-long terms in a different musical metropolis each year, pulling "together pioneers of days-gone-by and musical legends of tomorrow from all aspects of rhythm and sound." This years' 60 participants set up shop in London, resulting in a pretty damn kick ass 41-track mixtape, bringing together some of the biggest names in instrumental electronic music. Seriously, TokiMONSTA and Oddisee on the same track? Do not pass go without picking up this bad boy. Be forewarned, however, at least i had a bitch of a time extracting the files from the zip. With that in mind, here are a couple of tracks to prove it's worth the effort of figuring it out yourself.
mp3: River Song (J-Wow & Sui Zhen from Various Assets - Not For Sale - London 2010)
mp3: Jackin4beats pt. 4 (TokiMONSTA feat. Andreya Triana & Oddisee from Various Assets - Not For Sale - London 2010)
i've inadvertently been sitting on a mixtape from Alex Ludovico for so long now that's he's since put out another one. You might recognize AL from various mixes we've put together ourselves, but his own stuff tends to be pretty damn good by itself. Homeboy spits fiyah and tends to kick it over dope beats. Expect to hear more about and from this up and comer.
Tuesday, July 20, 2010
The Biggest Cry Baby Mix You Ever Will Hear
So i started physical therapy for ye olde broken down back today, and suffice to say, it was not a painless affair. As such, i'm circumventing witty and going straight for tears.
